Just adding my voice to the chorus around the Bay Area to insist that you hasten to see The Jungle at the Curran, which drops you directly into the middle of a replica of the refugee camp that sprung up in Calais in 2015. I kept thinking about how the production was such a brilliant way of combating compassion fatigue, as the stories are ones you are (sadly) familiar with but by putting you side-by-side with the characters their plight takes on new immediacy. From the Curran's website:
British playwrights Joe Murphy and Joe Robertson, founders of Good Chance Theatre, established Good Chance’s first temporary theater space, an 11 meter geodesic dome, in the heart of the refugee and migrant camp in Calais in September 2015, where they lived for seven months before writing THE JUNGLE after the demolition of the camp.
“The Jungle was a reluctant home for thousands of people from all over the world. It was a place where people built temporary lives and communities formed out of necessity. People who visited asked why we built a theater in a refugee camp, but it’s always seemed clear to us that theater should be at the center of the conversation,” said Robertson and Murphy. “We’re thrilled to bring this play to West Coast audiences with its premiere at the historic Curran and look forward to sharing these timely and important stories.”
The play ends with a heartbreaking reminder that the refugee crisis continues, and with a chance to offer help by donating to the Jungle Fund.
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Next up: Roger Beebe films at Artists' Television Access!