Elise Baldwin
Gilbert Hsiao
Katie Turnbull
Through August 9 - Spin Tactics at Peephole Cinema. I love me some art that is available to the public 24/7 (see also: SFAC's Grove Street space, Savernack Street). And right now artist and film curator extraordinaire Sarah Klein has crafted a program for Peephole Cinema that will delight any passerby. Anyone who knows to look through a certain peephole in an alley in the Mission, that is. The vinyl records and turntables that feature in all three of the artworks Klein has chosen echo the geometry of the peephole itself, with rotation being another strong theme that connects the pieces. Elise Baldwin's The Philosophy of Storms melds footage of spinning records, some of them warped beyond practical use, with imagery of natural phenomena and other more mystical references to explore our changing relationship with our planet's weather throughout human history. Hit Parade by Gilbert Hsiao is more abstract, documenting a performance in which the artist allowed audience members to play with a number of records he had augmented with fluorescent paint, to create unpredictable and mesmerizing rotating patterns. Meanwhile in Modern Vanitas Katie Turnbull uses a zoetrope to create animated, evolving images that grapple with the big issues: life, death, technology. With each piece about a minute or two in length the entire program is easily accessible to those with even the shortest of attention spans, and once you know where the peephole is you might find yourself stopping by every time you happen to be in the neighborhood just to look through it again.
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