At the Instituto Italiano di Cultura - Giovanna Martinelli: Ombre. I stopped by Friday after work in the midst of some major brain-wrangling, and standing in front of Martinelli's beautiful etchings helped soothe my tired mind. My favorites were the squiggles in color, but her black-and-white-and-grey pieces are also evocative. Martinelli is absolutely not interested in representation, but rather for the search for light in her work. The show also includes a few of her paintings and more recent sculptures.
Friday night, Bottom of the Hill:
Final Fantasy
Bob Wiseman
Curtains
This was a grouping of music that can only be described as quirky. The Curtains, featuring Chris from Deerhoof and Nedelle, got things going with sweet and off-kilter pop. I was just pleased whenever Nedelle was singing. Bob Wiseman was up next, a one-man dynamo with acoustic guitar, accordian, and self-deprecating wit. He hung a sheet on one side of the stage and projected his own films onto it, narrating them by song or by accordian. I think when he mentioned Carmaig de Forest I was one of three people there who knew who he was talking about. And last but definitely not least, Final Fantasy, aka Owen Pallett, took the stage with his violin. Another one-man show, he would set up layers of sound with his violin loops and then sing and play some more on top. The effect was absolutely hypnotic, and many in the audience stood with their eyes closed and blissful smiles on their faces. He was also damn funny, and when he did a brilliant cover of Mariah Carey's Fantasy towards the end of his set he reminded the hipster crowd, "Remember, you begged for that!"
At Jack Hanley Gallery - Anna Von Mertens: As the Stars Go By. Von Mertens sews the path of stars onto her quilts. Looking at them is like being able to feel the turn of the earth, with her astral trails glimmering in white and pale yellow and green. I stopped by this show late Saturday afternoon, and have a feeling it will suck me in again if I find myself anywhere near the gallery before the beginning of September.
After a brief detour for Vietnamese BBQ pork of the gods in Little Saigon, I headed back to the Mission to celebrate San Francisco Home Movie Day at the SF Media Archive. It was the first time I'd ever been in the Archive, and it is a thing to behold, a huge warehouse space with rows and rows of shelves stacked floor to ceiling with canisters of film. And I get the feeling the guy who runs the place actually knows where everything is, too. He pulled a few home movies for us to view, the first of a 1969 protest on the SFSU campus complete with arrests and riot police in full gear, followed on the same reel by a naked woman frolicking in a field in what looked like Marin. We also watched footage from the '20s of quake damage in Long Beach, and a film made by an American abroad in India and Thailand in about 1948. I adore home movies, and as a special added bonus I now know where the "REASONS" half of the old 17 Reasons sign lives too.
Science interns do it better:
From the Federation of American Scientists comes ReallyReady.org —created by a FAS intern to highlight major errors in the federal government's disaster preparedness website, Ready.gov.
Ten Incarnations of Vishnu: Kalamkari painting on cotton, India.