At Robert Koch - photographs by Nicholas Prior. The children that are primary subjects of Prior's gorgeous pictures seem wise beyond their years, their faces portraying all of the confusion and pathos of full adulthood. I loved how the youngsters are always in sharp focus, while background details (including adults) are decidedly more blurry. Slightly unsettling, but definitely amazing.
At SFMOMA - Matthew Barney: DRAWING RESTRAINT. Don't you just love how DRAWING RESTRAINT has to be in ALL CAPS? This is just the beginning of the utter pretension. It's no secret that I don't have a lot of patience for Mr. Barney's art, but even I was shocked at how much he bites from Joseph Beuys in this show, vitrines and all. The exhibit reminded me a lot of the Cremaster Guggenheim show, with the films playing on screens overhead and artifacts and stills from the films scattered about. It's worth going just to see the fourth-floor galleries with all of the walls removed, and to see Barney's vaseline sculptures slopped all over the floor. They're almost soothing in their tedium. I also never ever tire of gazing upon Bjork's radiant visage, and there are plenty of nice pictures of her. However, as ever I was left with the impression that all of Barney's posturing is so much empty noise, and that he's way more into his stature as artist-celebrity than he is about actually making meaningful art. I also picked up a note of reverence (or fetishizing?) toward Japanese whaling culture that really turned my stomach. I would argue that such a tone (or even a neutral one!) is downright irresponsible considering the debate raging right now about whaling. But I like art that engages with culture and politics in a complex way instead of standing above it or outside it.
Yet to see:
At Catharine Clark - Chester Arnold: Backwaters, with Amy Hicks: Suspended Series in the video room.
Also yet to see:
At Lisa Dent - the summer group show Sean Horchy, Candice Lin and Tim Sullivan.
I missed the free Eco Film Night at Varnish last night (they were screening Walking the West), but it was because I was taking a very long nap before my DJ shift. Excuses, excuses.
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